Diary of a Wimpy Kid: Rodrick Rules (Diary of a Wimpy Kid)
by Jeff Kinney
from Amulet
The highly anticipated sequel to the #1 NEW YORK TIMES bestselling book!
Secrets have a way of getting out, especially when a diary is involved.
Whatever you do, dont ask Greg Heffley how he spent his summer vacation, because he definitely doesnt want to talk about it.
As Greg enters the new school year, hes eager to put the past three months behind him . . . and one event in particular.
Unfortunately for Greg, his older brother, Rodrick, knows all about the incident Greg wants to keep under wraps. But secrets have a way of getting out . . . especially when a diary is involved.
Diary of a Wimpy Kid: Rodrick Rules chronicles Gregs attempts to navigate the hazards of middle school, impress the girls, steer clear of the school talent show, and most important, keep his secret safe.
Diary of a Wimpy Kid
by Jeff Kinney
from Abrams Books for Young Readers
Boys dont keep diariesor do they?
The launch of an exciting and innovatively illustrated new series narrated by an unforgettable kid every family can relate to
Its a new school year, and Greg Heffley finds himself thrust into middle school, where undersized weaklings share the hallways with kids who are taller, meaner, and already shaving. The hazards of growing up before youre ready are uniquely revealed through words and drawings as Greg records them in his diary.
In book one of this debut series, Greg is happy to have Rowley, his sidekick, along for the ride. But when Rowleys star starts to rise, Greg tries to use his best friends newfound popularity to his own advantage, kicking off a chain of events that will test their friendship in hilarious fashion.
Author/illustrator Jeff Kinney recalls the growing pains of school life and introduces a new kind of hero who epitomizes the challenges of being a kid. As Greg says in his diary, Just dont expect me to be all Dear Diary this and Dear Diary that. Luckily for us, what Greg Heffley says he wont do and what he actually does are two very different things.
Since its launch in May 2004 on Funbrain.com, the Web version of Diary of a Wimpy Kid has been viewed by 20 million unique online readers. This year, it is averaging 70,000 readers a day.
The Complete Far Side 1980-1994 (2 vol set)
by Gary Larson
from Andrews McMeel Publishing
Gary Larson calls The Complete Far Side, the massive two-volume collection of his Far Side cartoons, an "18-pound hernia giver." Sure to give any coffee table a solid workout, the handsome and heavy 1,272-page "legacy book" is a must for fervent fans; over 4,300 single-panel comics with more than half in color and 1,100 that have not appeared in any book form before (the popular--and far less weighty--paperback collections).
Set in rough chronological order, the comics share pages with occasional letters from fans, detractors, editors, folks made famous by a particular cartoon, and those begging for explanations. Though few explanations are provided (Larson personally supplies merely one, plus a single apology), this collection helps answer the inevitable "how do you think up these things" conundrum. Before each year's cartoons, Larson provides insight with essays about his childhood, various travels, occupational hazards, and his official rules for dealing with bedtime monsters (which often turned out to be his older brother). Most wonderful is the first essay on how the comic started. (His longtime editor Jake Morrissey's long introduction is a must read on The Far Side's story).
Despite no central characters, it's easy to spot patterns in Larson's wild and wacky cartoons. Animals, insects, and inanimate objects often exhibit all-too-human impulses. Larson's subjects are often in scenes of peril--disasters, visits to hell, and perhaps a hundred cartoons set on a one-palm tree deserted island. It is what Larson's fertile imagination mined from those situations that created fans and enemies for 14 years. (Larson retired at his peak and then went into jazz music). The comics are not indexed (how could they be--first lines? listings of cartoons with cows?); finding a favorite requires a great memory for its publication date. Best simply to peruse the pages of this beautiful collection in which you will certainly find more than a few new chuckles before landing on your beloved Larson sketch. --Doug Thomas
New York Times best-seller!
“Every one of these cartoons is just something that drifted into my head when I was alone with my thoughts. And, for better or worse, I ‘jotted’ them down. It was only later, when perhaps I received an angry letter from someone, that it struck me: Hey! Someone's been reading my diary!”
—Gary Larson, from the preface to The Complete Far Side
Revered by its fans as the funniest, most original, most “What the ... ?”-inspiring cartoon ever, The Far Side® debuted in January 1980 and enjoyed an illustrious 14 years on the world’s comics pages until Gary Larson’s retirement in 1994. The Complete Far Side celebrates Gary’s twisted, irreverent genius in this ultimate Far Side book, a lavish production, which takes its place alongside collector’s-edition art books.
A masterpiece of comic brilliance, The Complete Far Side contains every Far Side cartoon every syndicated—over 4,000 if you must know—presented in (more or less) chronological order by year of publication, with more than 1,100 that have never before appeared in a book. Also included are additional Far Side cartoons Larson created after his retirement: 13 that appeared in the last Far Side book, Last Chapter and Worse, and six cartoons that periodically ran as a special feature in the New York Times Science Times section as The Far Side of Science. Creator Gary Larson offers a rare glimpse into the mind of The Far Side in quirky and thoughtful introductions to each of the 14 chapters. Complaint letters, fan letters, and queries from puzzled readers appear alongside some of the more provocative or elusive panels. Actor, author, and comedian Steve Martin offers his pithy thoughts in a foreword, and Gary Larson’s former editor describes what it was like to be “the guy who could explain every Far Side cartoon.”
The Complete Far Side © 2003 by FarWorks, Inc. All Rights Reserved. The Far Side® and the Larson® signature are registered trademarks of FarWorks, Inc.
Batman: The Killing Joke
by Alan Moore
from DC Comics
The Killing Joke, one of my favorite Batman stories ever, stirred a bit of controversy because the story involves the Joker brutally, pointlessly shooting Commissioner Gordon's daughter in the spine. This is a no-holds-barred take on a truly insane criminal mind, masterfully written by British comics writer Alan Moore. The art by Brian Bolland is so appealing that his depiction of the Joker became a standard and was imitated by many artists to follow.
The Killing Joke, one of my favorite Batman stories ever, stirred a bit of controversy because the story involves the Joker brutally, pointlessly shooting Commissioner Gordon's daughter in the spine. This is a no-holds-barred take on a truly insane criminal mind, masterfully written by British comics writer Alan Moore. The art by Brian Bolland is so appealing that his depiction of the Joker became a standard and was imitated by many artists to follow.
A People's History of American Empire
by Howard Zinn
from Metropolitan Books
Now Howard Zinn, historian Paul Buhle, and cartoonist Mike Konopacki have collaborated to retell, in vibrant comics form, a most immediate and relevant chapter of A People’s History: the centuries-long story of America’s actions in the world. Narrated by Zinn, this version opens with the events of 9/11 and then jumps back to explore the cycles of U.S. expansionism from Wounded Knee to Iraq, stopping along the way at World War I, Central America, Vietnam, and the Iranian revolution. The book also follows the story of Zinn, the son of poor Jewish immigrants, from his childhood in the Brooklyn slums to his role as one of America’s leading historians.
Shifting from world-shattering events to one family’s small revolutions, A People’s History of American Empire presents the classic ground-level history of America in a dazzling new form.
The Adventures of Johnny Bunko: The Last Career Guide You'll Ever Need
by Daniel H. Pink
from Riverhead Trade
From a New York Times, BusinessWeek, and Washington Post bestselling author comes a first-of-its- kind career guidefor a new generation of job seekers.
Theres never been a career guide like itthe fully illustrated story (ingeniously told in Manga form) of a young Everyman just out of college who lands his first job. Johnny Bunko is new to parachute company Boggs Corp., and he stumbles through his early days as a working stiff until a crisis prompts him to find a new job. Step by step he builds a career, illustrating as he does the six core lessons of finding, keeping, and flourishing in satisfying work:
There is no plan
Forget about your weaknesses
Persistence trumps talent
Its not about you
Make excellent mistakes
Leave an imprint
Smart, engaging, and insightful, The Adventures of Johnny Bunko offers practical advice for anyone looking to start a rewarding career.
Watchmen
by Alan Moore
from DC Comics
Has any comic been as acclaimed as Alan Moore and Dave Gibbons' Watchmen? Possibly only Frank Miller's The Dark Knight Returns, but Watchmen remains the critics' favorite. Why? Because Moore is a better writer, and Watchmen a more complex and dark and literate creation than Miller's fantastic, subversive take on the Batman myth. Moore, renowned for many other of the genre's finest creations (Saga of the Swamp Thing, V for Vendetta, and From Hell, with Eddie Campbell) first put out Watchmen in 12 issues for DC in 1986-87. It won a comic award at the time (the 1987 Jack Kirby Comics Industry Awards for Best Writer/Artist combination) and has continued to gather praise since.
The story concerns a group called the Crimebusters and a plot to kill and discredit them. Moore's characterization is as sophisticated as any novel's. Importantly the costumes do not get in the way of the storytelling; rather they allow Moore to investigate issues of power and control--indeed it was Watchmen, and to a lesser extent Dark Knight, that propelled the comic genre forward, making "adult" comics a reality. The artwork of Gibbons (best known for 2000AD's Rogue Trooper and DC's Green Lantern) is very fine too, echoing Moore's paranoid mood perfectly throughout. Packed with symbolism, some of the overlying themes (arms control, nuclear threat, vigilantes) have dated but the intelligent social and political commentary, the structure of the story itself, its intertextuality (chapters appended with excerpts from other "works" and "studies" on Moore's characters, or with excerpts from another comic book being read by a child within the story), the finepace of the writing and its humanity mean that Watchmen more than stands up--it keeps its crown as the best the genre has yet produced. --Mark Thwaite
Has any comic been as acclaimed as Alan Moore and Dave Gibbons' Watchmen? Possibly only Frank Miller's The Dark Knight Returns, but Watchmen remains the critics' favorite. Why? Because Moore is a better writer, and Watchmen a more complex and dark and literate creation than Miller's fantastic, subversive take on the Batman myth. Moore, renowned for many other of the genre's finest creations (Saga of the Swamp Thing, V for Vendetta, and From Hell, with Eddie Campbell) first put out Watchmen in 12 issues for DC in 1986-87. It won a comic award at the time (the 1987 Jack Kirby Comics Industry Awards for Best Writer/Artist combination) and has continued to gather praise since.The story concerns a group called the Crimebusters and a plot to kill and discredit them. Moore's characterization is as sophisticated as any novel's. Importantly the costumes do not get in the way of the storytelling; rather they allow Moore to investigate issues of power and control--indeed it was Watchmen, and to a lesser extent Dark Knight, that propelled the comic genre forward, making "adult" comics a reality. The artwork of Gibbons (best known for 2000AD's Rogue Trooper and DC's Green Lantern) is very fine too, echoing Moore's paranoid mood perfectly throughout. Packed with symbolism, some of the overlying themes (arms control, nuclear threat, vigilantes) have dated but the intelligent social and political commentary, the structure of the story itself, its intertextuality (chapters appended with excerpts from other "works" and "studies" on Moore's characters, or with excerpts from another comic book being read by a child within the story), the finepace of the writing and its humanity mean that Watchmen more than stands up--it keeps its crown as the best the genre has yet produced. --MarkThwaite
The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America
by David Hajdu
from Farrar, Straus and Giroux
Amazon Significant Seven, March 2008: I may be alone here, but when I read Michael Chabon's The Amazing Adventures of Kavalier and Clay, a whole strata of American artists came to life for me. Ever since then I've been waiting for a book like David Hajdu's The Ten-Cent Plague to come along and show me the contours of this world. Anyone who remembers Positively 4th Street will recognize in this new book Hajdu's peerless ability to weave first-person recollections with an acute perspective of America at a pivotal moment in its cultural timeline. The rise of comics as a mode of expression, an outlet for entertainment, and, rather tragi-comically, as a target for censorship, couldn't be more compelling in anyone else's hands. In deft narrative strokes Hajdu creates a colorful, character-driven story of our first real--and lasting--counterculture (if the burgeoning popularity of graphic novels is any indication) and shows why we embrace it still.--Anne Bartholomew
The story of the rise and fall of those comic books has never been fully told—until The Ten-Cent Plague. David Hajdu’s remarkable new book vividly opens up the lost world of comic books, its creativity, irreverence, and suspicion of authority.
When we picture the 1950s, we hear the sound of early rock and roll. The Ten-Cent Plague shows how—years before music—comics brought on a clash between children and their parents, between prewar and postwar standards. Created by outsiders from the tenements, garish, shameless, and often shocking, comics spoke to young people and provided the guardians of mainstream culture with a big target. Parents, teachers, and complicit kids burned comics in public bonfires. Cities passed laws to outlaw comics. Congress took action with televised hearings that nearly destroyed the careers of hundreds of artists and writers.
The Ten-Cent Plague radically revises common notions of popular culture, the generation gap, and the divide between “high” and “low” art. As he did with the lives of Billy Strayhorn and Duke Ellington (in Lush Life) and Bob Dylan and his circle (in Positively 4th Street), Hajdu brings a place, a time, and a milieu unforgettably back to life.
Buffy the Vampire Slayer Season Eight, Volume 1: The Long Way Home
by Joss Whedon
from Dark Horse Comics
Since the destruction of the Hellmouth, the Slayers - newly legion - have gotten organized and are kicking some serious undead butt. But not everything's fun and firearms, as an old enemy reappears and Dawn experiences some serious growing pains. Meanwhile, one of the "Buffy" decoy slayers is going through major pain of her own. Buffy creator Joss Whedon brings Buffy back to Dark Horse in this direct follow-up to season seven of the smash-hit TV series. The bestselling and critically acclaimed issues #1-5 are collected here for the first time, as are their covers by Jo Chen and Georges Jeanty.
In Odd We Trust
by Dean Koontz
from Del Rey
“The dead don't talk. I don't know why.” But they do try to communicate, with a short-order cook in a small desert town serving as their reluctant confidant. Odd Thomas thinks of himself as an ordinary guy, if possessed of a certain measure of talent at the Pico Mundo Grill and rapturously in love with the most beautiful girl in the world, Stormy Llewellyn. Maybe he has a gift, maybe it’s a curse, Odd has never been sure, but he tries to do his best by the silent souls who seek him out. Sometimes they want justice, and Odd’s otherworldly tips to Pico Mundo's sympathetic police chief, Wyatt Porter, can solve a crime. Occasionally they can prevent one. But this time it's different.
A mysterious man comes to town with a voracious appetite, a filing cabinet stuffed with information on the world's worst killers, and a pack of hyena-like shades following him wherever he goes. Who the man is and what he wants, not even Odd’s deceased informants can tell him. His most ominous clue is a page ripped from a day-by-day calendar for August 15.
Today is August 14.
In less than twenty-four hours, Pico Mundo will awaken to a day of catastrophe. As evil coils under the searing desert sun, Odd travels through the shifting prisms of his world, struggling to avert a looming cataclysm with the aid of his soul mate and an unlikely community of allies that includes the King of Rock 'n' Roll. His account of two shattering days when past and present, fate and destiny converge is the stuff of our worst nightmares—and a testament by which to live: sanely if not safely, with courage, humor, and a full heart that even in the darkness must persevere.
From the Hardcover edition.
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