G
Y: The Last Man, Vol. 10: Whys and Wherefores
by Brian Vaughan
from Vertigo
Watchmen
by Alan Moore
from DC Comics
Has any comic been as acclaimed as Alan Moore and Dave Gibbons' Watchmen? Possibly only Frank Miller's The Dark Knight Returns, but Watchmen remains the critics' favorite. Why? Because Moore is a better writer, and Watchmen a more complex and dark and literate creation than Miller's fantastic, subversive take on the Batman myth. Moore, renowned for many other of the genre's finest creations (Saga of the Swamp Thing, V for Vendetta, and From Hell, with Eddie Campbell) first put out Watchmen in 12 issues for DC in 1986-87. It won a comic award at the time (the 1987 Jack Kirby Comics Industry Awards for Best Writer/Artist combination) and has continued to gather praise since.
The story concerns a group called the Crimebusters and a plot to kill and discredit them. Moore's characterization is as sophisticated as any novel's. Importantly the costumes do not get in the way of the storytelling; rather they allow Moore to investigate issues of power and control--indeed it was Watchmen, and to a lesser extent Dark Knight, that propelled the comic genre forward, making "adult" comics a reality. The artwork of Gibbons (best known for 2000AD's Rogue Trooper and DC's Green Lantern) is very fine too, echoing Moore's paranoid mood perfectly throughout. Packed with symbolism, some of the overlying themes (arms control, nuclear threat, vigilantes) have dated but the intelligent social and political commentary, the structure of the story itself, its intertextuality (chapters appended with excerpts from other "works" and "studies" on Moore's characters, or with excerpts from another comic book being read by a child within the story), the finepace of the writing and its humanity mean that Watchmen more than stands up--it keeps its crown as the best the genre has yet produced. --Mark Thwaite
Has any comic been as acclaimed as Alan Moore and Dave Gibbons' Watchmen? Possibly only Frank Miller's The Dark Knight Returns, but Watchmen remains the critics' favorite. Why? Because Moore is a better writer, and Watchmen a more complex and dark and literate creation than Miller's fantastic, subversive take on the Batman myth. Moore, renowned for many other of the genre's finest creations (Saga of the Swamp Thing, V for Vendetta, and From Hell, with Eddie Campbell) first put out Watchmen in 12 issues for DC in 1986-87. It won a comic award at the time (the 1987 Jack Kirby Comics Industry Awards for Best Writer/Artist combination) and has continued to gather praise since.The story concerns a group called the Crimebusters and a plot to kill and discredit them. Moore's characterization is as sophisticated as any novel's. Importantly the costumes do not get in the way of the storytelling; rather they allow Moore to investigate issues of power and control--indeed it was Watchmen, and to a lesser extent Dark Knight, that propelled the comic genre forward, making "adult" comics a reality. The artwork of Gibbons (best known for 2000AD's Rogue Trooper and DC's Green Lantern) is very fine too, echoing Moore's paranoid mood perfectly throughout. Packed with symbolism, some of the overlying themes (arms control, nuclear threat, vigilantes) have dated but the intelligent social and political commentary, the structure of the story itself, its intertextuality (chapters appended with excerpts from other "works" and "studies" on Moore's characters, or with excerpts from another comic book being read by a child within the story), the finepace of the writing and its humanity mean that Watchmen more than stands up--it keeps its crown as the best the genre has yet produced. --MarkThwaite
Diary of a Wimpy Kid
by Jeff Kinney
from Abrams Books for Young Readers
Boys dont keep diariesor do they?
The launch of an exciting and innovatively illustrated new series narrated by an unforgettable kid every family can relate to
Its a new school year, and Greg Heffley finds himself thrust into middle school, where undersized weaklings share the hallways with kids who are taller, meaner, and already shaving. The hazards of growing up before youre ready are uniquely revealed through words and drawings as Greg records them in his diary.
In book one of this debut series, Greg is happy to have Rowley, his sidekick, along for the ride. But when Rowleys star starts to rise, Greg tries to use his best friends newfound popularity to his own advantage, kicking off a chain of events that will test their friendship in hilarious fashion.
Author/illustrator Jeff Kinney recalls the growing pains of school life and introduces a new kind of hero who epitomizes the challenges of being a kid. As Greg says in his diary, Just dont expect me to be all Dear Diary this and Dear Diary that. Luckily for us, what Greg Heffley says he wont do and what he actually does are two very different things.
Since its launch in May 2004 on Funbrain.com, the Web version of Diary of a Wimpy Kid has been viewed by 20 million unique online readers. This year, it is averaging 70,000 readers a day.
Diary of a Wimpy Kid: Rodrick Rules (Diary of a Wimpy Kid)
by Jeff Kinney
from Amulet Books
Secrets have a way of getting out, especially when a diary is involved.
Whatever you do, don’t ask Greg Heffley how he spent his summer vacation, because he definitely doesn’t want to talk about it.
As Greg enters the new school year, he’s eager to put the past three months behind him . . . and one event in particular.
Unfortunately for Greg, his older brother, Rodrick, knows all about the incident Greg wants to keep under wraps. But secrets have a way of getting out . . . especially when a diary is involved.
Diary of a Wimpy Kid: Rodrick Rules chronicles Greg’s attempts to navigate the hazards of middle school, impress the girls, steer clear of the school talent show, and most important, keep his secret safe.
Batman: The Killing Joke
by Alan Moore
from DC Comics
The Killing Joke, one of my favorite Batman stories ever, stirred a bit of controversy because the story involves the Joker brutally, pointlessly shooting Commissioner Gordon's daughter in the spine. This is a no-holds-barred take on a truly insane criminal mind, masterfully written by British comics writer Alan Moore. The art by Brian Bolland is so appealing that his depiction of the Joker became a standard and was imitated by many artists to follow.
The Killing Joke, one of my favorite Batman stories ever, stirred a bit of controversy because the story involves the Joker brutally, pointlessly shooting Commissioner Gordon's daughter in the spine. This is a no-holds-barred take on a truly insane criminal mind, masterfully written by British comics writer Alan Moore. The art by Brian Bolland is so appealing that his depiction of the Joker became a standard and was imitated by many artists to follow.
No Future For You (Buffy the Vampire Slayer Season Eight, Volume 2)
by Brian K. Vaughan
from Dark Horse
Eisner award-winning writer Brian K. Vaughan (Y: The Last Man, Ex Machina) tackles Joss Whedon's Buffy the Vampire Slayer Season Eight with "No Future for You." When a rogue debutant Slayer begins to use her power for evil, Giles is forced to recruit the rebellious Faith, who isn't exactly known for her good deeds. Giles offers Faith a clean slate if she can stop this snooty Slayer from wreaking total havoc - that is, if Buffy doesn't beat her to it. Georges Jeanty (The American Way) remains at the top of his game as series artist, and Whedon stays on as "Executive Producer" in this direct follow-up to Season Seven of the smash-hit TV series.
Fables Vol. 10: The Good Prince
by Bill Willingham
from Vertigo
This 10th volume in the best-selling, award-winning series collects the epochal "Good Prince" storyline.
Flycatcher, a background player in the FABLES series, is drawn into the spotlight as he discovers the startling truth about his own past as the Frog Prince. At the same time, he learns that the Adversary -- Gepetto, the manipulative Fable who forced the Fables community into exile -- plans to destoy his foes once and for all. Only Flycatcher and his army of ghosts has a chance of stopping the Adversary from wiping out his home. But how can the meek Flycatcher undertake this deadly task?
Batman: The Dark Knight Returns
by Frank Miller
from DC Comics
If any comic has a claim to have truly reinvigorated the genre, then The Dark Knight Returns by Frank Miller--known also for his excellent Sin City series and his superb rendering of the blind superhero Daredevil--is probably the top contender. Batman represented all that was wrong in comics and Miller set himself a tough task taking on the camp crusader and turning this laughable, innocuous children's cartoon character into a hero for our times. The great Alan Moore (V for Vendetta, Swamp Thing, the arguably peerless Watchmen) argued that only someone of Miller's stature could have done this. Batman is a character known well beyond the confines of the comic world (as are his retinue) and so reinventing him, while keeping his limiting core essentials intact, was a huge task.
Miller went far beyond the call of duty. The Dark Knight is a success on every level. Firstly it does keep the core elements of the Batman myth intact, with Robin, Alfred the butler, Commissioner Gordon, and the old roster of villains, present yet brilliantly subverted. Secondly the artwork is fantastic--detailed, sometimes claustrophobic, psychotic. Lastly it's a great story: Gotham City is a hell on earth, street gangs roam but there are no heroes. Decay is ubiquitous. Where is a hero to save Gotham? It is 10 years since the last recorded sighting of the Batman. And things have got worse than ever. Bruce Wayne is close to being a broken man but something is keeping him sane: the need to see change and the belief that he can orchestrate some of that change. Batman is back. The Dark Knight has returned. Awesome. --Mark Thwaite
If any comic has a claim to have truly reinvigorated the genre, then The Dark Knight Returns by Frank Miller--known also for his excellent Sin City series and his superb rendering of the blind superhero Daredevil--is probably the top contender. Batman represented all that was wrong in comics and Miller set himself a tough task taking on the camp crusader and turning this laughable, innocuous children's cartoon character into a hero for our times. The great Alan Moore (V for Vendetta, Swamp Thing, the arguably peerless Watchmen) argued that only someone of Miller's stature could have done this. Batman is a character known well beyond the confines of the comic world (as are his retinue) and so reinventing him, while keeping his limiting core essentials intact, was a huge task.Miller went far beyond the call of duty. The Dark Knight is a success on every level. Firstly it does keep the core elements of the Batman myth intact, with Robin, Alfred the butler, Commissioner Gordon, and the old roster of villains, present yet brilliantly subverted. Secondly the artwork is fantastic--detailed, sometimes claustrophobic, psychotic. Lastly it's a great story: Gotham City is a hell on earth, street gangs roam but there are no heroes. Decay is ubiquitous. Where is a hero to save Gotham? It is 10 years since the last recorded sighting of the Batman. And things have got worse than ever. Bruce Wayne is close to being a broken man but something is keeping him sane: the need to see change and the belief that he can orchestrate some of that change. Batman is back. The Dark Knight has returned. Awesome. --Mark Thwaite
Wanted
by Mark Millar
from Top Cow Productions/Image Comics
What if everything in your life was out of your hands and those around you propelled your fate? Your girlfriend left you for your best friend; your boss gave your job to someone better. What if then, after all this, someone gave you back total control? What if he revealed you were the next in line to join a secret society of super-villians that controlled the entire planet? Mark Millar and J.G. Jones provide a look at one man who goes from being the world's biggest loser to the deadliest assassin alive.
Astonishing X-Men Vol. 4: Unstoppable
by Joss Whedon
from Marvel Comics
Strap yourselves in, folks! It's Joss Whedon and John Cassaday's final arc on Astonishing X-Men! After the shocking and brain-smashing events of recent issues, the X-Men are off to protect the Earth from its destruction at the hands of the Breakworld. And when it's all over, nothing will ever be the same! No, really, we mean it! Whedon and Cassaday prove they are more than Astonishing: They are unstoppable! Collects Astonishing X-Men #19-24 and Giant-Size Astonishing X-Men #1.
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